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During my university game design studies, I often found theoretical discourse constricting. Our curriculum constantly referenced titles like Bioshock and Portal—games my male classmates apparently cherished during their formative years. Though I developed appreciation for Portal, no academic space existed to examine the software that originally inspired my career path. When acquiring programming skills, my education prioritized conventionally masculine genres: creating platformers and shooters proved simpler than developing fashion games. This imbalance extends beyond academia. Self-taught designers struggle to find online guidance that doesn't prescribe movement and combat mechanics as universal "fundamentals"—though these only apply to specific genres.
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